No title

(3 paintings)
Oil on linen
47 x 60 cm
2024

NADA NY May 2024 Statement:

My new paintings were created in response to the conflict in Palestine and the deliberate spread of misinformation being used to justify ongoing acts of genocide. In the United States, Palestinian and Pro-Palestinian voices are being systematically and institutionally repressed, false allegations of anti-semitism are being used to crush dissent, and public demonstrations of solidarity are being met with state and institutional violence.

The relentless murder campaign perpetrated against innocent civilians, mostly women and children, has consumed my thoughts over the last 7 months and affected not only my creative practice but my faith in democratic and cultural institutions. For me these paintings are about concealment, obfuscation, erasure, and deletion – actions that reveal as much as they conceal. Simultaneously a memorial to the lives lost and a warning about how misinformation and obfuscation can be used to limit debate and manufacture consent. 

Behind Doors

Situations Gallery NYC

No title

Oil on linen
(large) 120 x 92 cm
(small) 64 x 92 cm
2021

Majaz: Contemporary Art Qatar

Mathaf Arab Museum of Modern Art
Doha Qatar

No title

(3 paintings)
Oil on linen
87 x 102 cm
2021

Post Analog Painting II

The Hole NYC

No title

Oil on linen
(large) 129 x 94 cm
(small) 111 x 76 cm
2017

Post Analog Painting

The Hole NYC

Mariah Dekkenga

Eli Ping Frances Perkins NYC

No title

Oil on linen
(large) 81 x 161 cm
(small) 82 x 82 cm
2015

Windows

Elizabeth Denny Gallery NYC

No title

Oil on linen
61 x 81 cm
2013

Soft Geometries

Eli Ping NYC

No title

Oil on linen
(6 paintings)
67 cm variable widths
2013

Selected Paintings

Synthesizing traditional painting techniques with a computer-based compositional methodology, my work explores the intersection between digital technology and painting as a craft.  I am intrigued by formal systems; how complex visual relationships structure our thinking and create experiences that are difficult to interpret or describe. Questions about how images function as physical objects that convey virtual information are central to my practice, as is how information in such contexts is mediated, communicated and defined. 

Mariah Dekkenga

Mariah Dekkenga